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The Store has since shut down, but the space the bookstore provided remains sacrosanct in the hearts of Beijing’s artists, expatriates, and literary voices. https://www.lethumsimang.com/review-1947-when-now-begins/2020/9/2/interview-conversation-with-andrew-davidson-on-the-gargoyle monthly 0.5 2020-09-02 https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1599030901630-QQSSYMMDY56AUDH11FTY/The+Gargoyle+.jpg Reviews - Interview - Conversation with Andrew Davidson on The Gargoyle - Interview: The Gargoyle By Andrew Davidson I sat down to interview Andrew Davidson five years after consuming his New York times best seller. The humility of it all put me in a position where I was able to inquire of his work sincerely, and upon reexamination of The Gargoyle a few subtle details stood out to me. https://www.lethumsimang.com/review-1947-when-now-begins/2019/12/30/a-struggle-with-privilege-review-on-always-another-country-by-sisonke-msimang monthly 0.5 2019-12-30 https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1577710654143-WPOOGXFHXU5DAUMU1HZ2/Screen+Shot+2019-11-10+at+3.00.04+PM.png Reviews - A Struggle With Privilege - Review on Always Another Country by Sisonke Msimang - Review: Always Another Country - By Sisonke Msimang A deeply personal and introspective memoir on life lived across boarders. Sisonke Msimang’s, Always Another Country speaks of a new generation of black South Africans…addressing the sudden emergence of blacks who are unapologetic and sum-what accustomed to privilege https://www.lethumsimang.com/review-1947-when-now-begins/2019/10/31/the-language-of-grief-review-on-grief-is-the-thing-with-feathers-by-max-porter monthly 0.5 2019-11-01 https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1572527291761-Q8K6G36770M1G9NYQ4KV/Screen+Shot+2019-10-31+at+3.07.29+PM.png Reviews - The Language Of Grief: Review on Grief Is The Thing With Feathers, by Max Porter - Review: Max Porter -Grief is The Thing With Feathers Max Porter explores the state of grief through fragmented prose, famously described by its publisher Faber & Faber as "part novella, part polyphonic fable, part essay on grief." "Grief," Porter writes, "… is everything. It is the fabric of selfhood, and beautifully chaotic. It shares mathematical characteristics with many natural forms.” https://www.lethumsimang.com/review-1947-when-now-begins/2019/10/27/beijing-literary-festival-ginkgo-by-peter-crane monthly 0.5 2024-02-03 https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1572529935588-HGR0S67UHRC04YYLHWCU/Screen+Shot+2019-10-31+at+3.51.10+PM.png Reviews - Beijing Literary Festival - Ginkgo, by Peter Crane - Review: Peter Crane - Ginkgo - The Tree That Time Forgot Inspired by the historic ginkgo that has thrived in London’s Kew Gardens since the 1760s, renowned botanist Peter Crane has explored the history of the ginkgo from its origin, proliferation and spread across the planet, to its decline, near extinction and ultimate resurgence https://www.lethumsimang.com/review-1947-when-now-begins/2019/10/25/city-press-book-review-vangile-gantsho-red-cotton monthly 0.5 2019-11-03 https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1572050290513-0NJA9XAF1EVPVHQW3WZW/Review%3A+Vangile+Gantsho+-+Red+Cotton Reviews - City Press Book Review: Vangile Gantsho - Red Cotton - Review: Red Cotton Vangile Gantsho Chronicling a jaw dropping performance at this Years South African Book Fair, where activist and co-founder of impepho press, Vangile Gantsho read from her poetry collection Red Cotton (Published 2018) , delivering a timely performance in line with the recent uproar on the issue of violence against women. https://www.lethumsimang.com/review-1947-when-now-begins/2019/10/15/review-1947-when-now-begins-by-elisabeth-sbrink-5sajr monthly 0.5 2020-05-27 https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1571150480691-4UX0FAIX2FDYYS6TJURX/Screen+Shot+2019-10-15+at+3.50.41+PM.png Reviews - Book Review: Elisabeth Åsbrink - 1947 - Review: 1947 - When Now Begins, by Elisabeth Åsbrink On the eve of September 9th, 2019, Swedish Ambassador Ms Cecilia Julin in collaboration with the team of the poetry collective Hear My Voice, hosted a reception at the Swedish residency in honor of the Sweden_South Africa Literary Exchange. 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Andrew Davidson was a fellow Comparative Literature major during my years at The American University of Paris, and being an aspiring writer myself, I felt compelled to familiarize myself with his work. But in so doing, I experienced the unique privilege of getting to know the author whose book I was reading, and suddenly found it difficult to separate the writer from his story. Andrew appeared to be someone seemingly kind and considerate, but I felt in conversation with him, a dark and crafted undertone. I was never able to reconcile the dis-ease I felt about this at the time, nor could I adequately capture all the ways it mirrored my own internal struggle. As a consequence, in reading The Gargoyle, I felt afflicted with a kind of rage and at times a deep sense of nostalgia for a life I had not led. But more interestingly I found, though writers very often shy from admitting it, Andrew had written himself into his story, his heart was weaved into it, like a trinket from his female lead, a sculptress, Marianne Engel. I sat down to interview Andrew five years later, having arrived at a point where I could begin to perceive my potential as unfulfilled. The humility of it all put me in a position where I was able to inquire of his work sincerely, and upon reexamination of The Gargoyle a few subtle details stood out to me. Mostly a particular atmosphere, one which at first appeared to have less to do with moral degradation and more so to do with redemption. It was not only the vile nature of the book's protagonist that spoke to me, but the contrast between his physical beauty and his spiritual repugnance that really captured the depth of meaning applied to Andrew’s first Novel, and distinguished it as not only a New York times best seller, but to my view, a fictional biography. https://www.lethumsimang.com/new-page-30 daily 0.75 2020-09-21 https://www.lethumsimang.com/in-memory-of-the-bookworm daily 0.75 2020-09-21 https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1600663121402-F0YAART6G1F0S3D3QSQ4/WhatsApp+Image+2020-09-21+at+05.05.45-1.jpeg In memory of the bookworm https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1600663130916-L2337QVIZM5M3MKN4YTW/WhatsApp+Image+2020-09-21+at+05.05.45-2.jpeg In memory of the bookworm https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1600663143435-56CMLWJ4QA97HTM9967S/WhatsApp+Image+2020-09-21+at+05.05.45-3.jpeg In memory of the bookworm https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1600663143171-3EG3WB7AOVNGOXFZNGQF/WhatsApp+Image+2020-09-21+at+05.05.45-4.jpeg In memory of the bookworm https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1600663144829-UU6CWKBH74NAYE5MEU2H/WhatsApp+Image+2020-09-21+at+05.05.45-5.jpeg In memory of the bookworm https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1600663144808-DWP2ZBY5WZRA8GFE3GHJ/WhatsApp+Image+2020-09-21+at+05.05.45.jpeg In memory of the bookworm https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1600663146593-CWQAJ0MJ7CY7V7SGWS12/WhatsApp+Image+2020-09-21+at+05.05.46-1.jpeg In memory of the bookworm https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/1600663147286-OJ7GUC2DKUL35APDO0IM/WhatsApp+Image+2020-09-21+at+05.05.46.jpeg In memory of the bookworm https://www.lethumsimang.com/new-page-50 daily 0.75 2023-04-01 https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/9f691e2b-2694-42a4-8584-ac138ea1f159/B6097829-2CF0-4B24-A6D7-A5CE541BE8EA.png Products - The Frightened In this lyrical, fragmented novella, Lethokuhle Msimang uses autobiographical and poetic interventions to lead the reader through landscapes of loss and longing, travelling between France, China, Spain and South Africa, to explore the troubled terrain of leaving and finding home. At once exhilarating, heart-breaking and haunting, The Frightened speaks to the complexity of relationships, the pain of love, the effects of trauma, the necessity and constant work of healing, and the unfulfillable wish to feel a true sense of belonging. It is the story of finding one’s voice amidst inherited violence, and the importance of art and creativity in that process. Here https://www.lethumsimang.com/read-me daily 0.75 2025-05-09 https://images.squarespace-cdn.com/content/v1/5310cef7e4b08602cbfa36bf/1412689652885-P9TPK298WCTZU748L0SG/Lifestyle03.jpg Read Me https://www.lethumsimang.com/new-page-78 daily 0.75 2025-09-03 https://www.lethumsimang.com/new-pacounge daily 0.75 2025-09-01 https://images.squarespace-cdn.com/content/v1/599ac7826f4ca339603b75e5/bfccfe67-b4d3-44ae-a07f-3729856ba1b4/Screenshot+2025-09-01+at+19.56.22.png COUNTRY I AM FROM - Make it stand out Whatever it is, the way you tell your story online can make all the difference.